Food

I feel sorry for people who have a difficult relationship with food. Fortunately, this is not something that has ever afflicted any members of my family as far as I know. We sit down to meals with delighted anticipation, our taste-buds drooling.

One often hears these passing remarks about eating - "I like my food", "He likes his food" and "She likes her food". What the? Doesn't everybody like their food? Well no, they don't. A small percentage of people struggle with eating. They realise it is necessary and that it ought to be relished but somehow when plates of food are placed in front of them, psychological alarm bells ring.

Once, I knew a petite woman who had developed an array of tactics to camouflage what I now realise was an eating disorder. To begin with, she never wanted much on her plate. Then, in company,  as the meal began, she would start talking. There I would be trying to shovel spadefuls of lovely grub down the tunnel of my hunger and she would be yakking away instead of tucking in.

I noticed her tiny mouthfuls and the way she pushed food around her plate. There were always leftovers which she might attempt to hide with a paper napkin. She never fancied dessert and once I heard her vomiting in the bathroom ten minutes after eating. I did not know her well enough to quiz her about her eating habits and besides I wouldn't have known what to say.

Yesterday afternoon, I prepared yet another Sunday dinner for my COVID companions - my lovely wife, my lovely daughter, my lovely son-in-law and my lovely granddaughter. How come I am not lovely?

On the menu was a basted pork loin joint, savoy cabbage, roasted potatoes, roasted carrots, Yorkshire puddings, homemade gravy, apple sauce and a vegetable I grew on our vegetable plot this year - kohlrabi. Preparing the kohlrabi was difficult as the bulbous root vegetables - somewhat like small turnips had attracted a slug fest in the summer. The little blighters had tunnelled hither and thither, leaving hollows and deep indentations. It was all I could do to make a small pan of clean white chunks of kohlrabi. Maybe this is why I last grew it twenty five years ago.

Anyway, there were no eating disorders visible at the table. As usual, we all got stuck in. The pork was tender, the potatoes were crispy, the gravy was flavoursome and the kohlrabi was sweet and turnipy if indeed "turnipy" is a word. There was New Zealand sauvignon blanc to drink and Stew had a bottle of McEwan's best bitter. Once again, Little Phoebe enjoyed her Yorkshire pudding and of course she is one. Just like me.

Come to think of it, our esteemed prime minister could also be described as "turnipy"... Who would have ever imagined that this great nation would one day be led by a bulbous globe of kohlrabi?



from Yorkshire Pudding https://ift.tt/3IKjMdj

West Side Story



 I thought I had seen the original West Side Story, but on reflection I think I’ve only really seen bits of it. 
Of course, I remember most of the famous set pieces, but I think on the whole I found the whole film rather too theatric and somewhat overlong for my liking.
Perhaps I was too young to fully appreciate it.
Who knows.
Anyhow, Spielberg’s homage and remake is a revelation. 
It’s not a theatrical musical filmed
But it is a filmed theatrical musical.
I hope that made sense.
For apart from one or two sequences, the whole film feels real and gritty and totally 1957 New York City.
It’s quite, quite beautiful and breathtaking just to look at.
I totally loved it, even though it remains a tad overlong.

Alvarez and DuBose

Spielberg’s casting is sublime.  
Ansel Elgort and Rachel Zegler are totally believable and incredibly moving in their lead roles of Tony and Maria. David Alvarez and Ariana DuBose almost steal the whole show as Bernardo and Anita and Rita Moreno creates a new role of Valentina ( Doc in the original) and at the age of 90 (her birthday was yesterday) I am sure she will be the oldest actress to ever win an Oscar, for her rendition of Somewhere literally breaks your heart.

Moreno

Zegler and Elgort

Spielberg’s touches are everywhere, enhancing Jerome Robbin’s original choreography and Bernstein’s music into a proper, hyper-real cinema treat. The vibrant set piece America has been bravely shifted from the tenement rooftops at night to the busy streets of the Upper West Side in fully summer.
It’s a truly stunning piece of cinema.

The director has also managed to inject more characterisation into the characters wisely leaving the Puerto Rican cast to speak Spanish when needed. 
The violence is not stylised as it was in the original  and the tension between the Sharks and the Jets is palpable and made very real during the lead up to the final show down.

On the negative side, the musical remains very slightly too long for me, and I could have done without I Feel Pretty aside, as well as the gender ambiguous character of Anybody’s who added nothing to the story
But these are just two minor points for I adored this version which is a real triumph for Spielberg   


from Going Gently https://ift.tt/3IMfNwT